Remember Sugar Ray? I
was a casual fan of their work back when they were releasing hits.
They rose to popularity in the late 90's and maintained it through the
early 2000's. After their 2003 album, there was a long break and
nothing was heard from them until 2009 when they released Music
For Cougars. And... it was not a successful album, especially
compared to when they were a big act. And there are a few reasons for
that. It seems like it was Sugar Ray trying to be popular again.
The key word there is trying. The album is a prime example of a band
selling out to appeal to a mass audience, only in this case, it
didn't work. While one could see it as a case of a band trying to
adapt to a different music market, it really seems like they should
have thought this move out a little more. As it is, they fall into
every cliché in the book... so much so that it seems like the album
is a complete joke.
To be fair, I don't
expect a band to sound the same as they do through their whole
careers. Just as people change and grow up, bands must also. Their
sound finally seemed fully fleshed out in their big hit album 14:59,
but that was ten years earlier. Before
that, their album Floored
was borderline metal. I wouldn't and shouldn't expect them to
sound like they did then because then all I'd be wanting is a
nostalgia trip and not a new album. If I want a nostalgia trip, I'll
just listen to 14:59 again. However, the inherent problem with
Music For Cougars is that it doesn't sound like Sugar Ray have
developed their own sound so much as they have absorbed everyone
else's music... but like, all the bad music. To their credit, some of
the songs are catchy. That being said, it's the kind of catchy where
you regret having heard it in the first place.
I should explain.
Sugar Ray had a cool style which was primarily rock music, but had
elements of reggae and funk. It was fun, accessible and it sounded
pretty distinct, especially put up against Mark McGrath's grainy, sombre voice. And now, they have a lazy pop sound and the once raw
sounding McGrath even goes as far as to autotune his voice. That
seems to ruin much of the charm of their sound. And it's not even
autotuned to the point where it's a style. It really just sounds
like a sloppy job to fix his pitch. It seems like the kind of tool
that should either be a prominent sound or completely invisible.
Their mashing of genres
is not what it used to be. This time we're given a glossy pop sound
which doesn't service their music well at all. On songs like “When
We Were Young” and “Love 101” we are unfortunately forced into
pop-country territory which is a genre I never want to stumble in.
They still touch on some of their reggae influenced sound in songs
like “Morning Sun.” In fact, that song had the most potential and
is closest to having their old sound, but the autotune and over
production makes it feel all wrong. It's like their polishing a genre
that demands something more raw. Perhaps if they want to dabble in
these genres, they shouldn't be giving in so shamelessly to the
clichés of modern pop music. Again, I don't mind them changing their
musical direction, but at least do something original.
As far as clichés go,
nothing stands out as much as the lyrics. “Rainbow” is a tough
track to get through, full of cheap metaphorical sentiments about
getting over the bad times and bla bla bla. “The sun will burn the
clouds away. If you want to see the rainbow, you gotta sit through a
little rain.” Aw, how sweet. And in the song “Going Nowhere”
the chorus says “Oh, what can I do? Oh what can I say when
everything is upside down?” It's just so damn predictable. And
even when the words aren't cliché, we're subjected to some unbearably
cheesy lyrics. In “Love 101” it's one ridiculous misstep after
another. He sings “it ain't always gonna be easy, you might have to
work until late, but with a little commitment, given time, I'm sure
you'll find, we all will graduate Love 101.” All that plus the
country twang just make this track well worth skipping.
This is my official
stance: Either quit while you're ahead or wait until you have
something worth releasing if you want a comeback. The only good part
of my listening to this album is that I've been reminded of their
older material. I've revisited many of the songs that I enjoyed of
theirs 10 to 15 years ago and it's been very rewarding. Their hits
felt like well deserved hits and have aged pretty well. I would
recommend them again. It's not that Music For Cougars is
outstandingly awful all the time, but it's just remarkably mediocre
from a band who had far better days. It has some moderately catchy
hooks and some songs that are tolerable, but that's not something I
should be saying about this band! We deserve better material than
this and so do Sugar Ray. I suspect that a lot of the band wasn't
pleased with the direction that they were going in because three of
the members left since this album's release. Just as well I suppose.
No use the whole crew sinking with the ship.
1.5 Stars
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